The advantages of vintage porcelain stoneware tiles
Vintage. A term that is now used and abused in the fashion, design and furnishing industries. So what does it mean when it refers to the world of ceramics? Vintage tiles are researched and designed to evoke a look reminiscent of antique floors and natural materials. Indeed, porcelain stoneware, thanks to its multiple effects and versatility, is an excellent solution for creating environments that can transport us back in time while maintaining a modern style. Vintage porcelain stoneware tiles have many advantages: they are not only attractive, but also very practical. First and foremost, they are durable: they are very long-lasting surfaces which, if well laid and cared for, can easily survive for over 20 years. Secondly, they are very easy to maintain: stains, dirt, dust and signs of aging can be easily removed with a cloth slightly dampened with water and disinfectant for ceramic floors. A final, but no less important advantage is price: vintage porcelain stoneware is much more affordable than other alternative materials.
The ’70s triggered a desire to design furniture and lights with the aim of amazing and amusing. The influence of major artistic movements certainly characterized the style of ’70s tiles: pop art, guided by the iconic Andy Warhol, led to the creation of avant-garde houses designed almost more to provoke than to be functional. Majolica and marble, two textures that were often combined together, were very popular during these years. ’70s majolica was, and still is, perfect for covering bathrooms and kitchens, giving these two rooms a warm, immersive, inviting look. The colours of vintage majolica bathroom tiles often have a white base and alternate optical or floral patterns in light green, darker green, light blue or midnight blue tones, sometimes even matching certain beige or brown shades. By contrast, walking on majolica vintage kitchen tiles we notice that yellow, orange and light grey join the colours mentioned above. Entering further into the heart of houses with ’70s floors we realize that rooms such as living rooms, corridors, studies and bedrooms adopt marble or wooden floors rather than majolica. This contrast between two types of covering reflects the intention of those years: to disrupt and amaze.
Let’s go back a little further – what was happening in the ’60s? Minimalist and conceptual art started to emerge. One of its leading exponents was Roy Lichtenstein, who presented a very personal reinterpretation of the materiality and gestural impetuosity of abstract expressionism. And we cannot forget the much-debated cuts on Fontana’s canvases. Here we also see “concept research” in furniture, design and flooring. The geometric patterns of ’60s tiles create, voluntarily or involuntarily, wonderful optical effects that fill rooms with very minimalist and essential decor. Vintage tiles in the kitchen are very noticeable, characterizing the space and making it completely immersive and impressive. It’s like diving into the past: the house becomes a mirror of a period full of history and upheaval that spawned artists and innovators who we still remember today.
How about 10 years earlier? The ’50s were golden years for many industries, not least the design world. They produced objects that were so contemporary that they remain true modern style icons to this day. This is why leading furniture brands continue to reproduce and showcase these designer projects: lights, objects, accessories and furniture by the great masters of design are once again manufactured, bought and used to furnish entire private and public spaces.
When it comes to coverings, the watchword for ’50s tiles is urban chic. In the whole setting you can admire a totally new look: the series of urban materials with very elegant, chic elements create crazy impressions, with the aim of transforming simple rooms into spaces designed to amaze. The ’50s vintage floor therefore also features tiles made from almost raw materials with very sophisticated shapes, colours and designs that were totally avant-garde for those years.